Pierre Baussaron - Asia Pacific Screen Awards

After managing a consulting company, transitioned to become a producer and joined Miyu Productions, founded by Emmanuel-Alain Raynal, in 2015. Notable projects include Koji Yamamura‘s Dozens of Norths (2021), Rintaro‘s Manga Cinema dedicated to Sadao Yamanaka ‘NEZUMIKOZO JIROKICHI‘ (2023), and Pierre Foldes‘ adaptation of Haruki Murakami‘s Blind Willow, Sleeping Woman (2022). Chicken for Linda! (2023) won the Crystal Award at the Annecy International Animation Film Festival and the Grand Prix at the Tokyo Anime Award Festival, while 27 (2023) received the Palme d‘Or for Short Film at Cannes. In 2023, he was named Animation Personality of the Year by the French industry magazine Ecran Total, alongside Emmanuel.

Accolades

Best Animated Film, 2024

Yoko Kuno and Nobuhiro Yamashita and Keiichi Kondo and Emmanuel-Alain Raynal and Pierre Baussaron and Hiroyuki Negishi

Best Animated Film, 2024

Yoko Kuno and Nobuhiro Yamashita and Keiichi Kondo and Emmanuel-Alain Raynal and Pierre Baussaron and Hiroyuki Negishi

Ghost Cat Anzu

Eleven-year-old Karin is abandoned by her father at the house of her grandfather, the monk of a small town in the Japanese countryside. Her grandfather…

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Films

Ghost Cat Anzu

Japan, France

Ghost Cat Anzu

Eleven-year-old Karin is abandoned by her father at the house of her grandfather, the monk of a small town in the Japanese countryside. Her grandfather…

More Details

Back to APSA Academy Members

The Asia Pacific Screen Academy expresses its respect for and acknowledgement of the South East Queensland Aboriginal and Torres Strait Islander communities. We pay our respects to the Traditional Owners of country, including the custodial communities on whose land works are created and celebrated by the Asia Pacific Screen Awards. We acknowledge the continuing connection to land, waters and communities. We also pay our respects to Elders, past and present. We recognise the integral role Aboriginal and Torres Strait Islander and First Nations peoples continue to play in storytelling and celebration spaces.

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