Acclaimed Australian film Samson & Delilah has won the Best Feature Film Award at the third annual Asia Pacific Screen Awards, announced tonight on Australia’s Gold Coast.

Produced by Kath Shelper and written and directed by Warwick Thornton, Samson & Delilah previously won the Camera d’Or prize at this year’s Cannes Film Festival, six major awards at the recent Inside Film Awards in Australia and has been nominated for 13 Australian Film Institute Awards. Representing the first time an Australian film has been nominated in the Best Feature Film category of the APSAs, Samson & Delilah competed against four films by renowned filmmakers from China (Chen Kaige, Lu Chuan), Iran (Asghar Farhadi) and the Palestinian Territories (Elia Suleiman), to receive the highest accolade in film in the Asia-Pacific region. Warwick Thornton was on the Gold Coast to accept the award.

Jury member Gina Kim (Republic of Korea) said: “Samson & Delilah has a very special something – the integrity of the filmmaker, the passion and the sincerity of it is really beyond comparison.”

The Asia Pacific Screen Awards were presented tonight at a glittering ceremony on the Gold Coast attended by more than 800 film industry luminaries from the Asia-Pacific region, and around the world.

Thirty-seven films representing 16 countries and territories were finalists in the Awards, with winners coming from Australia, Japan, Republic of Korea, Islamic Republic of Iran, Israel, Palestinian Territories, People’s Republic of China and Thailand, and high commendations from the Jury for films from Australia, India, Republic of Korea and Russian Federation.

The Awards were determined by an International Jury headed by notable Chinese director and producer Huang Jianxin, joined by Tahmineh Milâni (Islamic Republic of Iran), Gina Kim (Republic of Korea), Aden Young (Australia), Andrew Pike (Australia) and Pryas Gupta (India).

Japanese star Masahiro Motoki was on the Gold Coast to receive the Best Performance by an Actor Award for his performance in Okuribito (Departures) and the Best Performance by an Actress Award winner was Korea’s Kim Hye-ja for Madeo (Mother).

China’s Nanjing! Nanjing! (City of Life and Death) received two awards: Lu Chuan for Achievement in Directing and Cao Yu for Achievement in Cinematography.

Best Screenplay was awarded to Asghar Farhadi for Darbareye Elly (About Elly). The Jury awarded two Jury Grand Prizes to the director of Darbareye Elly (About Elly), Asghar Farhadi (Islamic Republic of Iran), and the director of The Time That Remains, Elia Sulieman (Palestinian Territories). The Time That Remains is the first film from the Palestinian Territories to be nominated in the APSAs.

Best Documentary Feature Film was awarded to Hashmatsa (Defamation) a co-production between Israel, Austria, Denmark and USA and Australia’s Mary and Max, produced by Academy Award winner Melanie Coombs, won Best Animated Feature Film. Ye Haeng Ja (A Brand New Life) from Republic of Korea was awarded Best Children’s Feature Film and is produced by Lee Chang-dong, previous APSA winner for Best Feature Film in 2007, Secret Sunshine.

Thailand’s Sawan Baan Na (Agrarian Utopia) won the UNESCO Award for outstanding contribution to the promotion and preservation of cultural diversity through film and the Award was accepted by the filmmaker, Uruphong Raksasad. This is the first year that Thailand has been nominated in the APSAs.

Japanese producer Isao Matsuoka was the recipient of the FIAPF Award for Outstanding Achievement in Film. Mr Matsuoka was on the Gold Coast to personally accept this great honour.

Four high commendations were awarded by the Jury: to Yang Ik-june for Best Performance by an Actor for Ddongpari(Breathless); Alisher Khamidhodjaev and Maxim Drozdov for Achievement in Cinematography for Paper SoldierTahaan: A Boy with a Grenade for Best Children’s Feature; and Gandhi’s Children for Best Documentary Feature.

The Awards Ceremony featured a special performance by Japanese star, AI, who performed the feature track from Okuribito(Departures). The awards were hosted by Australian television’s Indira Naidoo and Peter Thomson and special guest presenter, CNN’s Anna Coren.

 

The winners in the third annual Asia Pacific Screen Awards are:

 

BEST FEATURE FILM

Samson & Delilah
Australia
Produced by Kath Shelper

 

JURY GRAND PRIZE

Director of The Time That Remains, Elia Suleiman
Palestinian Territories / France / Italy / Belgium / UK

Director of Darbareye Elly (About Elly), Asghar Farhadi
Islamic Republic of Iran

 

BEST PERFORMANCE BY AN ACTOR

Masahiro Motoki for Okuribito (Departures)
Japan

 

BEST PERFORMANCE BY AN ACTRESS

Kim Hye-ja for Madeo (Mother)
Republic of Korea

 

ACHIEVEMENT IN DIRECTING

Lu Chuan for Nanjing! Nanjing! (City of Life and Death)
People’s Republic of China

 

ACHIEVEMENT IN CINEMATOGRAPHY

Cao Yu for Nanjing! Nanjing! (City of Life and Death)
People’s Republic of China

 

BEST SCREENPLAY

Asghar Farhadi for Darbareye Elly (About Elly)
Islamic Republic of Iran

 

BEST DOCUMENTARY FEATURE FILM

Hashmatsa (Defamation)
Israel / Austria / Denmark / USA
Produced by Knut Ogris, Karoline Leth, Sandra Itkoff and Philippa Kowarsky

 

BEST ANIMATED FEATURE FILM

Mary and Max
Australia
Produced by Melanie Coombs

 

BEST CHILDREN’S FEATURE FILM

Ye Haeng Ja (A Brand New Life)
Republic of Korea / France
Produced by Lee Chang-dong, Laurent Lavole and Lee Joon-dong

 

UNESCO AWARD

Sawan Baan Na (Agrarian Utopia)
Thailand
Written, directed and produced by Uruphong Raksasad

 

FIAPF AWARD FOR OUTSTANDING ACHIEVEMENT IN FILM

Isao Matsuoka

 

HIGH COMMENDATIONS

High Commendation for Performance by an Actor
Yang Ik-june for Ddongpari (Breathless)

High Commendation for Cinematography
Alisher Khamidhodjaev & Maxim Drozdov for Bumaznyj Soldat (Paper Soldier)

High Commendation in Children’s Feature Film:
Tahaan: A Boy with a Grenade
Produced by Shripal Morakhia & Mubina Rattonsey

High Commendation in Documentary Feature Film
Gandhi’s Children
Produced by David MacDougall

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The Asia Pacific Screen Academy expresses its respect for and acknowledgement of the South East Queensland Aboriginal and Torres Strait Islander communities. We pay our respects to the Traditional Owners of country, including the custodial communities on whose land works are created and celebrated by the Asia Pacific Screen Awards. We acknowledge the continuing connection to land, waters and communities. We also pay our respects to Elders, past and present. We recognise the integral role Aboriginal and Torres Strait Islander and First Nations peoples continue to play in storytelling and celebration spaces.

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