Alexandra was born in Hong Kong and studied in Australia and America.  She is an award-winning producer and distributor who has worked in production, international sales, film financing and acquisition in China, Australia, USA and France.

Her sales company The Film Library has successfully discovered and launched many Asian talents and their acclaimed works, such as Jingzhe by Wang Quanan (2004),  Song of Tibet by Xie Fei (1999), Blind Shaft by Li Yang (2003), the all time Chinese animation classic The Monkey King: Uproar in Heaven 3D (2012), iconic Japanese animation Jin-Roh: The Wolf Brigade (1999) and classics by Huang Jianxin, Ronny Yu etc. She has also produced Li Yang’s award-winning Blind Mountain (2007) which premiered in Cannes and Sonthar Gyal’s River (2015) which competed in Berlin and won an APSA for Best Youth Feature Film.

Alexandra previously worked for the Australian Film Finance Corporation (now Screen Australia) before setting up The Film Library in Los Angeles and China. She has been invited as jury member, programmer or speaker at UNESCO, Telluride and Moscow International Film Festivals, The Aspen Institute, International Film Festival for Children and Youth (Iran), and the Silk Road International Film Festival etc. She is also the founder of the Sun Yat-Sen Cultural Foundation.

Accolades

Sangye and Alexandra Sun and Pema Tseden and Du Qingchun and Songtaijia (Sonthar Gyal)
Best Youth Feature Film, 2015

River (Gtsngbo)

Best Youth Feature Film, 2015

River (Gtsngbo)

Winner, Best Youth Feature Film, 2015 River is a story mostly told from the perspective of Yangchan, a young Tibetan girl from a sheep herding…

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Films

River
2015

River (Gtsngbo)

People's Republic of China
2015

River (Gtsngbo)

Winner, Best Youth Feature Film, 2015 River is a story mostly told from the perspective of Yangchan, a young Tibetan girl from a sheep herding…

More Details

The Asia Pacific Screen Academy expresses its respect for and acknowledgement of the South East Queensland Aboriginal and Torres Strait Islander communities. We pay our respects to the Traditional Owners of country, including the custodial communities on whose land works are created and celebrated by the Asia Pacific Screen Awards. We acknowledge the continuing connection to land, waters and communities. We also pay our respects to Elders, past and present. We recognise the integral role Aboriginal and Torres Strait Islander and First Nations peoples continue to play in storytelling and celebration spaces.

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