Tatsuya Nakadai’s film debut came when director Masaki Kobayashi cast him in The Thick Walled Room (1953). Nakadai was subsequently cast in the lead role in Kobayashi’s epic trilogy The Human Condition for which he received international acclaim. He continued to collaborate with Kobayashi on many more films including Harakiri (1962) and Haru’s Journey (2010). Nakadai also worked frequently with director Akira Kurosawa, appearing in Kagemusha (1980) and Ran (1985). In addition to Nakadai’s impressive film career, he has starred in numerous theatre productions including Hamlet, Othello, Don Quixote and Driving Miss Daisy. Among Nakadai’s many accolades are a Golden Arrow Award and two Blue Ribbon Awards for Best Actor. Nakadai has received high honour in Japan with The Order of the Rising Sun, Gold Rays with Rosette in 2003 and was named Person of Cultural Merit in 2007

Accolades

Tatsuya Nakadai
Best Performance by an Actor, 2013

Tatsuya Nakadai

Best Performance by an Actor, 2013

Tatsuya Nakadai

Japan’s Tragedy (Nippon no higeki)

Tatsuya Nakadai’s film debut came when director Masaki Kobayashi cast him in Kabe atsuki heya (1956). Nakadai was subsequently cast in the lead role in Kobayashi’s monumental trilogy Ningen…

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Films

Japan’s Tragedy
2013

Japan’s Tragedy (Nippon no higeki)

Japan
2013

Japan’s Tragedy (Nippon no higeki)

In 2010, 31,560 people ended their own lives and about 20,000 people died or went missing with the earthquake. Unemployed widower Fujio Murai’s family tragedy…

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The Asia Pacific Screen Academy expresses its respect for and acknowledgement of the South East Queensland Aboriginal and Torres Strait Islander communities. We pay our respects to the Traditional Owners of country, including the custodial communities on whose land works are created and celebrated by the Asia Pacific Screen Awards. We acknowledge the continuing connection to land, waters and communities. We also pay our respects to Elders, past and present. We recognise the integral role Aboriginal and Torres Strait Islander and First Nations peoples continue to play in storytelling and celebration spaces.

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