2007 International Nominations Council

Professor, Department of Film, School of Film, TV and Multimedia, Korea National University of Arts. Hong-Joon Kim was Festival Director of the Puchon International Fantastic Film Festival and Commissioner of the Korean Film Council from 2000-2005. His published books include I, a Filmmaker: Kim Hong-Joon’s Film Notes and Two Or Three Things You Want To Know About Movies. Hong-Joon Kim is an award-winning director, and screenwriter of films including Jungle Story and La Vie En Rose. He hosted and co-wrote the television series Korean Classical Cinema Special.

Managing Director, Iranian Independents.
Mohammad Atebbai is a fi lm producer and distributor; and Head of Iranian Independents, which markets and promotes Iranian fi lms internationally. He was in charge of screening Iranian fi lms at international festivals and events at Farabi Cinema Foundation for eight years, before forming Iranian Independents in 1997. He acted as Director of International Affairs for Khaneh Cinema for two years. He was Senior Editor of Film International from 1997–2001 and is still a journalist and member of the Iranian Society of Film Critics and Writers. He is the author of the book International Presentation of Iranian Cinema: 1979–2004; was producer and associate producer involved in the co-production and fundraising for Iranian fi lms including The Circle (Jafar Panahi, 1999); and is the Iranian member of the European Documentary Network (EDN), as well as a representative of NETPAC (Network for Promotion of Asian Cinema) in Iran.

Festival Director, Singapore International Film Festival.
Philip Cheah is a fi lm critic and author, and editor of BigO, Singapore’s independent pop culture publication. He is Advisory Board Member and contributor to Cinemaya, the Asian Quarterly, and a Board Member of NETPAC (Network for the Promotion of Asian Cinema). Philip Cheah has co-edited And the Moon Dances: The Films of Garin (2004), Noel Vera’s Critic After Dark: A Review of Philippine Cinema (2005) and is co-editor of Modernity and Nationality in Vietnamese Cinema by Ngo Phuong Lan (2007).

Executive Director, Brisbane International Film Festival (BIFF).
Anne Démy-Geroe was an organiser for the Queensland Images Film Festival in 1989, and was involved in the establishment of the Pacific Film and Television Commission in 1990, and the Brisbane International Film Festival in 1991. She was Artistic Director of the first festival and has been involved ever since. Anne has worked on the annual Queensland New Filmmakers Awards and silent film festivals, as well as regional fi lm festivals in Queensland. She is a judge on the prestigious Queensland Premier’s Literary Awards and is a past Council Member of the National Film and Sound Archive. She has served on international juries from Hawaii to Tehran. She is the Australian representative for NETPAC, the Network for the Promotion of Asian Cinema, and BIFF presents the sole Australian NETPAC jury. In 2003 Anne was awarded an Australian Centenary Medal for services to the fi lm industry.

Film Critic for Variety; former President of the Film Critics Circle of Australia.
Russell Edwards is a Sydney based film critic reviewing Asian and Australian films for the international trade paper Variety. He was president of The Film Critics Circle of Australia from 2004 to 2006; is a regular attendee of Asia’s fi lm festival circuit; and has been a FIPRESCI juror at the Pusan International Film Festival twice, including Jury Chairman in 2003. Russell Edwards’ main area of expertise is Korean and Japanese cinema; and he is well versed in Australian and American fi lm history. A board member of the Sydney Film Festival from 1996 to 1999, Russell also advised the now defunct Sydney Asia Pacific Film Festival from 1999 to 2004. Russell has also directed short films. His most recent fi lm The Agreement (2006) played at numerous major festivals around the world and was screened on SBS Television.

Founding Director, Hawaii International Film Festival; President, iFilm Connections: Asia & Pacific.

Jeannette Paulson Hereniko launched the Hawaii International Film Festival in 1981 to promote cultural understanding about Asia, Pacific and the United States through film, and remained the festival director until 1996. In 1990 she was named the first director of the Palm Springs International Film Festival. As a founding board member of NETPAC, she established NETPAC/USA in 1994. She has served on film festival juries in Berlin, Rotterdam, Pusan, Singapore, Mumbai, Brisbane and Osian’s Cinefan in New Delhi. As the Director of the Asia Pacific Media Center at the University of Southern California’s Annenberg Center for Communication from 1996 to 2005, she started a website, www.asianfilms.org. This evolved into a subscription website that streams movies and provides information about contemporary Asian and Pacific Island film cultures for universities and organisations interested in Asia and the Pacific. Ms Hereniko has written, directed and produced documentaries and theatrical productions, notably producing an award-winning 2004 feature film from Fiji, The Land Has Eyes. Currently she is President of Te Maka Productions, Inc., NETPAC/USA, iFilm Connections Asia & Pacific, and an international Consultant for the American Film Institute’s Project 20/20.

Vice-President of the Cairo International Film Festival and Director of the Cairo International Film Festival for Children.
Soheir Abdel Kader is a member of the Union of Arab Artists and a member of the Centre International du Film pour l’Enfance et la Jeunesse, CIJEF. She has been a Jury member of the San Francisco Isfahan and Sousse Film Festivals, the Lucas International Film Festival for Children, and was Jury President for the Moscow International Film Festival for Children. She was a consultant to the Egyptian National Day of the Children, 1994; established the Charity Market for Handicapped Children in conjunction with The Cairo International Film Festival for Children; and had a key role in establishing the Cairo International Film Festival as a FIAPF accredited festival.

Director, International Istanbul Film Festival; Istanbul Foundation for Culture and Arts.
Azize Tan began her career as Subtitling Co-ordinator at the International Istanbul Film Festival in 1996 and went on to become the Co-ordinator of the Festival from 2000 to 2002 and then Assistant Director. She was also the Coordinator of the 5th, 6th and 7th International Istanbul Biennials.

Founder-President, Network for the Promotion of Asian Cinema; Founder-Director OSIAN’S CINEFAN.
Aruna Vasudev is the Founder President of NETPAC (Network for the Promotion of Asian Cinema), Founder-Director of Cinefan, Festival of Asian Cinema, (now Osian’s-Cinefan Festival of Asian and Arab Cinema) and FounderEditor of Cinemaya, The Asian Film Quarterly (now Osian’sCinemaya). She is a Trustee of the Public Service Broadcasting Trust, India and of the newly constituted Forum for Art Beyond Borders, India; was conferred France’s top cultural award, the Chevalier des Arts et des Lettres; and the Star of Italian Solidarity. She is the author of two books on Indian Cinema; editor and co-editor of several books on cinema and television, including Being & Becoming: The Cinemas of Asia and co-editor of Modernity and Nationality in Vietnamese Cinema by Ngo Phuong Lan (2007); and has been a jury member in Cannes (Camera d’Or), Locarno, Thessaloniki, Singapore, Fajr (Tehran), Karlovy Vary, Istanbul, Antalya, Hawaii, Jeonju (Korea), Tallinn (Estonia) and many more.

Professor, Beijing Film Academy; Film Director.
Xie Fei is internationally known as one of the most prominent directors from China. His feature fi lm A Girl from Hunan (Xian Nu Xiao Xiao) was invited to screen in the Un Certain Regard section of the Cannes International Film Festival in 1987 and won the Don Quixote Award at the San Sebastian Film Festival and the Golden Panda Award at the Montpelier Film Festival, in 1988. Black Snow won the Silver Bear Award at the Berlin Film Festival in 1990 and screened at the Hong Kong, London, Washington, Sydney and Montreal Film Festivals. Woman from the Lake of Scented Souls won the Golden Bear Award at the Berlin Film Festival in 1993, the Chinese Government Outstanding Film Award in 1993 and the Best Actress Award at the Chicago Film Festival. A Mongolian Tale’s many awards include the Best Director Award at the World Film Festival in Montreal in 1995, and the Best Director at the Shanghai Film Critic’s Ten Best Film Awards in 1995. Song of Tibet (2000) won Best Feature Film, Best Director, Best Screenplay, Best Actress and Best Music awards at the Chinese Golden Rooster Awards. Professor Xie Fei has been a Professor of BFA for 40 years. His students include Directors of Chinese fifth and sixth generations, including Chen Kaige, Zhang Yimou and Jia Zhangke.