Young Buddhist monk Ananda, arrives at a temple in order to restore its paintings. These paintings depict Thelapaththa Jathakaya, a moral story where Lord Buddha said that a man with a big target in life must not be swayed by passion (Keles), the five senses and especially beautiful women. One day, Ananda picks up a hair pin belonging to a young woman. While attempting to return this object to its owner, his repressed feelings are awoken by the beauty and sensuality of the woman. The young monk’s inner spiritual world is plunged into turmoil. Then one day the paintings are destroyed. While restoring them for the second time Ananda begins to realize that he is trapped in a web of his worldly desires and attachments.
Sankara
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The Asia Pacific Screen Academy expresses its respect for and acknowledgement of the South East Queensland Aboriginal and Torres Strait Islander communities. We pay our respects to the Traditional Owners of country, including the custodial communities on whose land works are created and celebrated by the Asia Pacific Screen Awards. We acknowledge the continuing connection to land, waters and communities. We also pay our respects to Elders, past and present. We recognise the integral role Aboriginal and Torres Strait Islander and First Nations peoples continue to play in storytelling and celebration spaces.